创造“运动中的视觉”--罗伯特·勒帕吉导演的舞台空间探索

Creating“Vision in Motion”:Director Robert Lepage’s Exploration of Stage Space

罗伯特·勒帕吉导演自由地穿梭于戏剧、电影和新媒体等多个领域,掌握不同艺术门类各自的优势。他调动了电影的观看方式,将“运动”作为处理舞台时空最为关键的要素,在戏剧中孕育了一种新的“空间-时间”理念。他通过建构多重的观看视角、驾驭活动的“表演机器”、营造虚幻的影像奇观,从而加强了舞台空间的运动,拓展了四维空间的戏剧表现力,创造了独特的“运动中的视觉”。

Director Robert Lepage shuttles freely in various fields such as theatre,film and new media,and knows the respective advantages of different artistic genres.Making use of the way of movie watching,he takes“motion”as the crucial element of stage space,breeding a new concept of space-time in theatre,which helps his works“develop a new spatial relationship so that they can intuitively explain and fully meet the special needs of motion vision in the present age.”By constructing multiple viewing angles,controlling the mobile“performance machine”and manipulating the illusory image spectacles,the motion of stage space is strengthened,the theatrical expressiveness is expanded to a four-dimensional space,and his unique“vision in motion”is developed.It is widely recognized that he has developed a new artistic form.