摘要
随中国几千年的传承,为后代留下了不可替代的精神财产。而其中所形成的设计美学思想更是足以延续至今,时间难以磨灭思想,一代又一代的承载物消失在历史长河中,思想却愈加凝练。本文落实于设计美学思想,首先只有深入传统文化,其次立足于现代,同时包容外来文化,才能将当代设计提升至新的高度。通过本文的研究,以期中国设计美学应用于当代设计能够改变旧的格局,迎来新的发展。
The inheritance of China for thousands of years has left irreplaceable spiritual property for future generations.And the design aesthetic thought formed in it is even more sustainable to this day.Time is hard to obliterate the thought.Generations of bearers disappeared in the long river of history,but the thought became more and more condensed.This article is implemented in design aesthetics.Firstly,only by going deep into traditional culture,and secondly based on modernity,while at the same time tolerating foreign culture,can contemporary design be raised to a new height.Through the research of this article,it is hoped that the application of Chinese design aesthetics to contemporary design can change the old pattern and usher in new development.
作者
毛志昂
MAO Zhi-ang(Jiangxi University of Finance and Economics,Nanchang 330000,China)
出处
《绿色包装》
2022年第6期107-109,共3页
Green Packaging
关键词
传统文化
设计美学思想
当代设计
traditional culture
design aesthetics
contemporary design