同一之思想——李金发诗歌的视觉性思维

The Thought of Identity-The Visual Thinking of Li Jinfa's Poetry

李金发既是诗人也是雕刻家,其诗歌虽是文学作品,却也暗含了视觉性的思维.从意象的经营来看,李金发的诗歌比起文学思维的说明.更近似于视觉思维的概括,由于诗歌缺乏可视的客体.李金发诗歌的视觉性思维需要形象作为与读者沟通的桥梁,但其诗歌中却多是晦涩的形象,造成了读者不易理解的问题.而从李金发在美学上有关同一本源的观点中,会发现他过度抬高创作者的地位,以个人的认知作为同一本源的中心,才是其诗歌晦涩难解的根本原因。

Li Jinfa is both a poet and a sculptor.Although his poetry is a literary work,it also implies visual thinking.From the perspective of image management,Li Jinfa's poetry is more similar to the generalization of visual thinking than the description of literary thinking.Due to the lack of visual objects in poetry,the visual thinking of Li Jinfa's poetry needs images as a bridge to communicate with readers,but Li Jinfa's poetry is mostly obscure images,which makes it difficult for readers to understand.From Li Jinfa's aesthetic view of the same origin,we will find that he excessively raises the status of the creator and takes personal cognition as the center of the same origin,which is the fundamental reason why Li Jinfa's poetry is obscure and difficult to understand.