朗西埃的左翼文论与以《讲话》为中心的毛泽东文艺思想

Jacques Rancière’s Left-wing Literary Theory and Mao Zedong’s Thought on Literature and Art Centered on Talks at the Yan’an Conference on Literature and Art

当代法国美学家雅克·朗西埃的左翼文论与毛泽东文艺思想存在某种联系,也存在差异。“五月风暴”前后,朗西埃受到了毛泽东哲学和文艺思想的影响,他认为群众不需要阿尔都塞式的知识分子教师,工人、学生有高度政治自觉性,也有审美感知和文艺能力。在此背景下朗西埃的歧义政治、无分者等思想与毛泽东的解放政治和人民概念既有相似性联系,又存在结构性差异。此外,他的文学政治论对毛泽东的人民文艺也有某种借鉴。

There are certain relations and differences between contemporary French aesthetician Jacques Rancière’s left-wing literary theory and Mao Zedong’s thought on literature and art.Before and after May 1968,Rancière was influenced by Mao Zedong’s philosophy and literary thought.He believed that there is no need for the mass to have a high degree of political consciousness as Althusser-style intellectual teachers,workers and students.They can also have aesthetic perception and appreciation of literature and art.In this context,Rancière’s notions of“disagreement politics”and“part of those that have no part”are both similarly linked to and structurally different from Mao’s concept of politics of liberation and“the people”.Moreover,Rancière’s literature politics has some reference to Mao’s“the people’s art and literature”.