贝克特戏剧听觉叙事研究

Acoustic Narrative Study of Beckett’s Drama

贝克特戏剧表现出跨媒介叙事的特点,其中听觉叙事尤为突出。本文从人声叙事、物声叙事、无声叙事和音乐叙事等方面对贝克特戏剧中的听觉叙事进行研究,试图探索贝克特如何用听觉叙事来解构人物、语言、戏剧,乃至叙事本身,引导西方戏剧从现代主义走向后现代主义,从戏剧剧场走向后戏剧剧场。本研究在扩展贝克特戏剧研究内容,丰富贝克特戏剧研究方法的同时,还试图探索一条将听觉叙事应用于戏剧研究的可能的路径。

Beckett’s drama presents the features of multi-medial narration, of which acoustic narration is highlighted. This paper attempts to study the acoustic narration of Beckett’s drama from four aspects, i.e. the character’s voice narration, the objects’ sound narration, the silent and still narration, and musical narration, with the aim to explore how Beckett used acoustic narration to deconstruct the character, language, drama and even the narration itself, leading the western theatre from modernism to postmodernism, from dramatic theatre to post-dramatic theatre.