摘要
经过博物馆的收藏与实践,民俗文物完成了从寻常之物到博物馆藏品的博物馆化过程。民俗文物,固有价值由隐到显,是其在博物馆特有的保管研究与展示传播的实践中,价值客体的客观存在与价值主体(包括政府、群体和个人)的主观认识相统一的结果。山东博物馆近年举办的年画和鲁绣等民俗文物展览,通过研究、展览、教育等形式,重新构建了民俗文物与原文化时空和观众知识情感的联结,实现民俗文物价值的由隐到显和创造性转化。
Through the collection and practice of a museum,folk cultural relics have completed the process of museumization from ordinary objects to museum collections.The inherent value of folk cultural relics changes from "hidden" to "visible",which is the result of the unity of the objective existence of folk cultural relics and the subjective understanding of the value subject(including the government,communities,and individuals) in the unique practices of conservation,research,and display in a museum.Taking the New Year pictures,Lu embroidery,and other folk cultural relic exhibitions held by Shandong Museum in recent years as examples,this article shows that the museum has reconstructed the connection between folk cultural relics,the original cultural time and space,as well as the audience’s knowledge and emotions through research,exhibition,education,etc.Therefore,the value of folk cultural relics has realized the transition from hidden to visible.
出处
《艺术与民俗》
2022年第2期27-33,共7页
Journal of Arts and Folklore
基金
2021年山东省社会科学规划研究项目“大运河山东段木版年画研究”(项目编号:21CKGJ01)的阶段性成果。
关键词
民俗文物
核心价值
博物馆
隐化
显化
Folk Cultural Relics
Core Value
Museum
Hidden
Visibility