英国激进派风景诗中的风景与反风景

Landscape and Anti-landscape in Contemporary British Radical Landscape Poetry

人类世延续至今,风景的内涵已从侧重自然的“大地”向“人为干涉”和“城市文明”偏移,由此风景中传统的自然审美被剥离,注入了“反风景性”。当代英国激进派风景诗歌运用反传统的语言形式描绘自然与文明、荒野与都市共存的现代风景,表明风景之内包含着反风景的一面。本文拟探析激进派风景诗歌如何利用文本空间解构西方思想传统中的二元对立模式,开启自然“祛魅”到“复魅”的道路,重构文化与自然及人与自然的关系,并以此表达对于环境恶化的困境及其出路的思索。

In the Anthropocene, the connotation of landscape has witnessed a shift from “land” to “human interference” and “urban civilization”. Hence landscapes are infused with “anti-landscapeness” when traditional nature aesthetics is removed. By employing anti-traditional language, contemporary British radical landscape poetry depicts a modern landscape of coexistence of nature and civilization, wilderness and cities involving both landscape and anti-landscape. This paper intends to explore how radical landscape poetry makes use of the textual space to deconstruct the dualism entrenched in western intellectual tradition, paves a way for the transition of nature’s disenchantment to nature’s re-enchantment, and reconsiders and reconstructs the relationship between culture and nature, with a deep concern about the environmental deterioration and its solution.