周必大书画鉴藏考述——以“家藏”作品的题跋为核心

Zhou Bida’s Idea on Art Appreciation and Collection Reflected from The Comments in The Masterpieces of ’His Family Collection’

周必大《庐陵周益国文忠公集》所载题跋多达12卷400余篇,其中有数卷单列为对“家藏御书”和“家藏法帖书画碑刻”的题跋;周另有《跋欧阳修自书诗文稿》和《跋阎立本历代帝王图》两件“家藏”题跋的墨迹存世。本文拟将文献记载与作品实物相结合,以周必大对“家藏”作品的题跋为核心,探讨其中所体现的收藏取向和鉴藏理念,作者认为周必大收藏书画更看重其中的文献价值,而非艺术造诣,由此可进一步探讨士人官员的书画收藏及鉴藏家身份的界定问题。

Zhou Bida’s The Collected Works of Duke Zhou Yiguo Wenzhong of Luling’(Lúlíng Zhou Yiguó WenZhong Gong Ji in Chinese pinyin) takes in over 400 pieces of prefaces and postscripts under 12 volumes,including special several volumes of the comments in the masterpieces of his family collection’ like the emperors’ manuscripts and the rubbings of model calligraphy and paintings.Combining it with another two works of ’The Postscripts to Ou Yangxiu’ s Poetry Manuscripts’(Ba Ou Yangxiu Zi Shu Shi Wen Gao in Chinese pinyin)and ’The Postscripts to Yan Liben’ s Emperors Figures of Past Dynasties’(Ba Yán Lìben Li Dài Di Wáng Tú in Chinese pinyin) of ’Zhou’ s Family Collection’,the thesis analyzes Zhou Bida’ s idea on art appreciation and collection from the prefaces and postscripts of the calligraphy and paintings,believing that he valued documentary data over artistic attainment.What is analyzed above offers information approaching to the scholar-officials’ collections and their status as well.