摘要
汉唐人物形象在陶瓷装饰中的应用由来已久,20世纪80年代末以后在高温色釉综合装饰中的应用日益普遍。汉唐人物形象在高温色釉综合装饰中的应用,在工艺性方面体现为从单一性向综合性拓展、从程式化向创造性拓展、从工笔技法向写意技法拓展,在审美性方面体现为审美气质从阴柔向阳刚拓展、审美内容从江南向西部拓展、审美思想从保守向包容拓展。
The application of Han and Tang characters in ceramic decoration has a long history After the late 1980s,it has become increasingly common in the comprehensive decoration of high-temperature colored glaze.The pioneering application of Han and Tang characters in the comprehensive decoration of hightemperature colored glaze is reflected in the process from singleness to comprehensiveness,from stylization to creativity,from fine brushwork techniques to freehand brushwork techniques,and in the aesthetic aspect,it is reflected in the expansion of aesthetic temperament from feminine to masculine,aesthetic contentfrom Jiangnan to west,and aesthetic thought from conservatism to inclusiveness.
作者
万文娜
WAN Wenna(Jingdezhen Wanwenna Ceramic Studio,Jingdezhen 333000,China)
出处
《中国陶瓷》
CAS
CSCD
北大核心
2022年第7期101-105,共5页
China Ceramics
关键词
汉唐人物形象
高温色釉综合装饰
应用
Han and Tang characters
High temperature colored glaze comprehensive decoration
Application