论韦尔施“超越美学”的出发点、焦点和落脚点

On the Starting Point,Focus and Foothold of Welsch’s “Transcendental Aesthetics”

通过对德国著名后现代哲学家沃尔夫冈·韦尔施的代表作《重构美学》的研究,探讨了韦尔施构建“超越美学”的逻辑思路,得出韦尔施建构“超越美学”是以对日常生活审美化的辩证认识为出发点,以反思传统美学秩序僵化、学科壁垒严重、审美与日常生活脱节等弊端为聚焦点,落脚点是重新定义“审美”,要求美学放弃“帝王姿态”,回归日常生活;关注虚拟现实,“景观”已然升级成为认知现实的新方式;平衡感知比率,统合双重经验,电子经验是对身体体验的延伸,非电子经验则是对本真的再回归。韦尔施建构“超越美学”的意义在于顺应了学术研究回归日常生活的趋势,因此,是在克服传统美学局限性基础上建构的一种新美学。

Through the study of the famous German postmodern philosopher Wolfgang Welsch’s representative work Reconstruction of Aesthetics,this paper discusses his logical thinking in constructing “transcendental aesthetics”.It believes that Welsch’s foothold is redefine “aesthetics”.He takes the dialectical understanding of the aestheticization of daily life as the starting point,and focusing on the introspection of the rigid order of traditional aesthetics,serious disciplinary barriers,and the disconnection between aesthetics and daily life.It requires aesthetics to give up the “imperial attitude” and return to daily life;pay attention to virtual reality,because “landscape” has been upgraded to a new way of cognition of reality;balance the perception ratio and integrate the dual experience,because the electronic experience is an extension of physical experience,and non-electronic experience is a re-evaluation of authenticity return.The significance of Welsch’s construction of “transcendental aesthetics” is that it conforms to the trend of academic research returning to daily life,and it is new aesthetic construction on the basis of overcoming the limitations of traditional aesthetics.