摘要
梁代七言古诗独具特点,代表先唐七古的高峰,而其美学特质包含古雅、绮靡、清靡、繁缛诸层面,这与在梁武帝的审美倾向影响下所形成的时代风尚具有极大的关联性。其中,古雅是指形式的变化之美;绮靡与情志关系密切;而清靡是基于隐逸清虚之美,与绮靡相联系,自其中嬗变而来;繁缛则与崇儒尚礼关联。此外,绮靡审美为后代所批驳,则是基于唐代风骨论的标准。
The Seven-words poetry of Liang Dynasty has its own characters which represents the summit of ancient Tang-dynasty.Its aesthetic standard includes ancient elegance,Qimi,Qingmi and over-elaborate formalities,which is greatly related to the fashion of the times formed under the influence of Liang Wudi’s aesthetic tendency.Among them,ancient elegance refers to the beauty of change in form;Qimi is closely related to emotion;Qingmi is based on the beauty of recluse’s emptiness,which is related to Qimi and evolved from it;over-elaborate formalities is related to worshiping Confucianism and courtesy.In addition,the criticism of Qimi is based on the standard of Fenggu theory in the Tang Dynasty.
出处
《理论界》
2022年第5期97-103,共7页
Theory Horizon
关键词
梁代七言古诗
古雅
绮靡
清靡
繁缛
Liang dynasty
ancient elegance
Qimi
Qingmi
over-elaborate formalities