论王安忆小说中女性形象的身份认同

Identity of Women in Wang Anyi’s Novels

王安忆在其中短篇小说的创作中塑造了一类“不自觉的”女性形象,这些女性形象都具有写实的特征。她在中短篇小说《妙妙》《米尼》《我爱比尔》中塑造的女性形象是20世纪90年代女性精神成长的缩影,王安忆笔下这类“不自觉的”的女性分别在经历了自我身份认同、社会身份认同、文化身份认同后,终于在自我和社会的挣扎中,在城市与现代化的冲击下,经历了由迷惘到堕落再到觉醒的过程,在这一过程中她们重新认识了自我,获得了成长。

Wang Anyi created a group of“unconscious”female images in her short stories in realistic ways.The female images she created in“Miaomiao”,“Mini”and“I Love Bi’er”are the epitome of women’s spiritual growth in the 1990s.In the experience of confusion,degeneration and then awakening in their self,social and cultural identity,these“unconscious”women finally came to full awareness of their self and grew mature in the struggle with their self and the society under the impact of the city and modernization.