期刊文献+

移动献血站空间的模块化设计探索

EXPLORATION ON THE MODULAR DESIGN OF THE MOBILE BLOOD DONATION STATION SPACE
下载PDF
导出
摘要 文章通过对国内献血站发展的现状进行调研分析,挖掘献血站的现存问题,获取使用人群对献血站的空间需求。以昆明为主要调研城市,结合使用人群的心理感受,整理其对献血站的空间服务需求。为适应实际场地的多样性与献血站空间的实际利用率,设计实践部分采用模块化的设计方法,将可移动医疗空间的整体功能、模块功能与组件功能分开,使一类组件用于多种模块,让不同模块构成多种体系。在构建模块化移动献血站的同时注重献血者的情感体验,以期为人们提供优质的献血体验。 This paper investigates and analyzes the current situation of the development of blood donation stations in China,excavates the existing problems of blood donation stations,and obtains the space requirements of the users for blood donation stations.Taking Kunming as the main research city,combined with the psychological feelings of the users,the spatial service needs of the blood donation station were sorted out.In order to adapt to the diversity of the actual site and the actual utilization rate of the space of the blood donation station,the design practice part adopts a modular design method,which separates the overall function,module function and component function of the movable medical space,so that one type of component can be used for various types of medical space.Modules and different modules form a variety of systems.While building a modular mobile blood bank,we pay attention to the emotional experience of blood donors and provide them with a high-quality blood donation experience.
作者 谭再梅 Tan Zaimei
机构地区 南京理工大学
出处 《工业设计》 2022年第7期86-88,共3页 Industrial Design
关键词 移动血站 空间设计 空间模块化 情感体验 Mobile Blood Bank Space Design Space Modularity Emotional Experience
  • 相关文献

参考文献2

二级参考文献30

  • 1Becker, J. Anthropological perspectives on music and emotion. Music and emotion: Theory and research, ed. P. N. Juslin & J. A. Sloboda..Oxford University Press.2001.p135-60.
  • 2Peretz, I. Listen to the brain: A biological perspective on musical emotions. Music and emotion: Theory and research. p 105-34.
  • 3N oy, P. How music conveys emotion. Ps)z'hoanalytic explorations in music, 2nd edition, ed. S. Feder, R. L. Karmel & G. H. Pollock, International Universities Press.1993.p 125-49.
  • 4Koelsch, S. & Siebel, W. A.Towards a neural basis of music perception. Trends in Cognitive Sciences.2005, 9.p578-84.
  • 5Sloboda, J. A. Emotional responses to music: A re- view. Proceedings of the Nordic Acoustical Meeting (NAM96), ed. K. Riederer & T. Lahti.The Acoustical Society of Finland. 1996.p385-92.
  • 6Scherer, K. R. Why music does not produce basic e- motions: A plea for a new approach to measuring emotional ef- fects of music.Proceedings of the Stockholm Music Acoustics Conference 2003, e,d. R. Bresin. Royal Institute of Technology. 2003.p25-28.
  • 7Panksepp, J. & Bernatzky, G. Emotional sounds and the brain: The neuro-affective foundations of musical appreci- ation. Behavioural Processes. 2002, 60.p133-55.
  • 8Dowling, W. J. & Harwood, D. L. Music cognition. A- cademic Press. 1986.
  • 9Gabrielsson, A. Emotion perceived and emotion felt: Same or different? Musicae Scientiae (Special Issue2001 - 2002). p123-47.
  • 10HarrY, R. Emotion in music. Emotion and the arts , ed. M. Hjort &S. Laver. Oxford University Press. 1997.pl 10-18.

共引文献7

相关作者

内容加载中请稍等...

相关机构

内容加载中请稍等...

相关主题

内容加载中请稍等...

浏览历史

内容加载中请稍等...
;
使用帮助 返回顶部