摘要
内蒙古本土戏剧拥有较高的创作能力,精品剧目数量较多,本应该获得社会效益和经济效益的双丰收。然而,因为政府介入程度较高、缺乏观众基础、产业环境不成熟、重创作轻演出、缺乏市场运营能力等主客观因素,本土戏剧的演出场次较少,市场化不足,致其精神价值有余而经济价值未得到更好的体现。未来还需要合理划定政府与市场的边界、合力推动演艺产业发展、建立以演出为中心的运营机制、提升院团的市场运营能力、重视培育观众市场。如此多方协作,才能破除内蒙古本土戏剧演出市场的困境。
Inner Mongolia local drama has a high creative ability and a large number of high-quality dramas,which should have achieved both social and economic benefits.However,due to subjective and objective factors such as a high degree of government involvement,lack of audience base,immature industrial environment,emphasis on creation over performance,and lack of market operation capabilities,local dramas have fewer performances and lack of marketization,resulting in more than spiritual value.Economic value has not been better reflected.In the future,it is also necessary to reasonably delineate the boundary between the government and the market,jointly promote the development of the performing arts industry,establish a performance-centered operation mechanism,improve the market operation capabilities of the troupe,and attach importance to cultivating the audience market.Only with so many parties can the plight of the local drama performance market in Inner Mongolia be solved.
作者
刘筠梅
Liuyunmei(Inner Mongolia University of the Arts,Hohhot,010010)
出处
《内蒙古艺术学院学报》
2022年第2期112-118,共7页
Journal of Inner Mongolia Arts University
基金
2017年教育部人文社会科学研究项目“内蒙古演艺发展史研究”(项目编号:17YJA760035)系列研究论文
2019年国家社科基金艺术学重大项目“新中国成立70周年中国戏曲史(内蒙古卷)”阶段性研究成果。
关键词
内蒙古
本土戏剧
演出市场
市场化
政府采购
Inner Mongolia
local drama
performance market
marketization
government procurement