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民族民间工艺现代设计转化应用的探讨--以壮族织锦技艺为例 被引量:3

On the Transformation and Application of Modern Design of Ethnic Minority’s Folk Craft--Taking Zhuang Ethnic Minority's Brocade as an Example
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摘要 民族民间工艺凝聚中华民族的造物智慧和发展文脉,历史进程中,民族民间工艺本体与时代环境客体间始终存在一定的错位发展关系,特别在当下社会快速现代化进程中,民族民间工艺的原生土壤、发展场域从线性变化趋向颠覆性变革,由此催化一系列发展矛盾问题,制约着民间工艺在现实中的传承发展。现代设计理论与方法深刻影响当前社会物质生产的方向,成为破解民间工艺转化应用问题的重要介质。本文以传统壮锦工艺的现代转型为例,探讨民间传统工艺进入现代设计语境的基本定位,理清传统纹饰元素与当代物用的关系,提炼壮锦纹饰的文化与艺术价值、改进织锦的现代机器生产技术和保留操作工人的创造性,以及加强壮锦纹饰的学术研究等几个方面入手,探讨传统手工艺在现代语境下的传承与发展问题,为民间工艺现代设计转化应用提供一些经验。 Ethnic Minority’s folk craft embodies the wisdom of creation and the development of civilization of the Chinese nation.In the historical process,there have always been asynchronous developments of the ethnic Minority’s folk craft as the subject and the contemporary circumstances as the object.Especially in the current rapid modernization process,the birthplace and developmental field of the ethnic Minority’s folk craft have changed in different ways–from a linear development to a radical revolution,which has catalyzed a series of developmental contradictions and restricted the inheritance and development of folk craft in reality.Theories and methods of modern design have a profound impact on the direction of material production in the current society,and have become an important medium to solve the problem of transformation and application of folk craft.Taking the transformation of modern design of the Zhuang ethnic minority’s brocade as an example,the paper discusses the fundamental position of traditional craft in the context of modern design and sorts out the relationship between traditional ornamental elements and contemporary objects.The paper also researches into the inheritance and development of traditional handicraft in the modern context from different perspectives,which are summarizing cultural and artistic value of Zhuang brocade,improving the technology of producing brocade by machine and furthering academic studies of ornamental elements in Zhuang brocade,and thereby provides some experience for the transformation and application of modern design of folk craft.
作者 路琼 Lu Qiong(Chinese National Academy of Arts,Beijing 100012)
机构地区 中国艺术研究院
出处 《内蒙古艺术学院学报》 2022年第2期124-132,共9页 Journal of Inner Mongolia Arts University
基金 国家社科基金艺术学重大项目“中华传统造物艺术体系与设计文献研究”(项目编号:19ZD22)系列研究成果 国家社科基金艺术学重大项目“设计创新与国家文化软实力建设研究”(项目编号:21ZD25)项目阶段性研究成果。
关键词 民族民间工艺 现代设计 传统工艺 壮锦 创新转化 ethnic minority’s folk craft modern design traditional craft Zhuang ethnic minority’s brocade creative transformation
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