摘要
挂屏是我国传统屏风种类中,唯一一类挂置于室内墙面且功用为纯装饰性的屏风。挂屏起源于宋代,盛行于清代,于方寸之间展现了古人对于室内空间装饰的审美、认知以及精湛的匠造技艺。清代是挂屏发展的繁盛期,且以宫廷类挂屏最具代表性。通过梳理清代宫廷挂屏的发展背景并结合相关的图例分析,来探究清代宫廷挂屏各结构的装饰特点,发掘出其背后创作的精神价值与艺术价值,为进一步传承和推广我国传统挂屏装饰艺术提供一定的参考。
In terms of the hanging screen,it is the only category hung onto interior walls for pure decoration among all the traditional screens in China.Hanging screen was originated in the Ming Dynasty,it became popular in Qing Dynasty which was the manifestation of the aesthetics and cognition of ancient people for interior decoration,as well as their exquisite craftsmanship in this regard.In Qing Dynasty,hanging screen was extremely and prosperously developing,with the hanging screens in palaces as the most unique representatives.In the paper,it attempts to explore and carry out relevant study on the decorative features of various structures of hanging screens used in palace of Qing Dynasty by sorting out their development background and combining with the relevant legends for further analysis.Finally,it is conductive to mining the spiritual values and artistic values hidden in the creations,moreover,it also provides reference values for further inheriting and promoting the traditional decorative arts for hanging screens in China.
出处
《建筑与文化》
2022年第8期252-254,共3页
Architecture & Culture
基金
江苏省高等学校自然科学研究资助项目:2019年度江苏省高校自然科学研究面上项目“室内空间环境与陈设设计的‘视知觉’构置关系研究”(项目编号:19KJB610009)。
关键词
清代
挂屏
装饰
Qing Dynasty
hanging screen
decoration