摘要
《格萨尔》史诗是一部闻名世界的战神史诗,至今仍以极具萨满色彩的口述传统广为流传。以史诗中天神降世母题为研究对象,在对此母题研究的基础上就可以明确史诗的“神性基质”,也可以对史诗这一母题中可能的古代文化核心进行重构。在格萨尔对其天神之父再现这一部分内容中,天神父亲形象的多样性反映了从天神和山神的传统一直延伸到佛教文化,乃至丝绸之路各宗教文化对于史诗的影响。
The Gesar/Geser epic cycle is a warrior epic known throughout the Tibetan and Mongolian-speaking regions of Asia and is still largely sustained through a shamanistically tinted oral tradition.This article focuses on the epic motif of the hero’s divine descent and constructs both a“constitutional mythology”for the epic based on this motif and a reconstruction of the probable archaic core of the epic motif.It also focuses in particular on the representations of the hero’s sky-god father.The variability in the representation of this figure reflects the cross-cutting religious influences on this Silk Road epic.These range from archaic“native”Inner Asian traditions concerning sky and mountain gods,to Buddhism(and its debt to Indian Vedic religion)and even Silk Road Manichaeism.
作者
乔治·菲茨赫伯特
赵婉彤(译)
George FitzHerbert;Zhao Wangtong(The Faculty of Oriental Studies,Oxford University,OXI 2LE,UK;School of Chinese Language and Literature,Xi’an International Studies University,Xi'an 710127,China)
出处
《西北民族大学学报(哲学社会科学版)》
CSSCI
北大核心
2022年第3期131-139,共9页
Journal of Northwest Minzu University(Philosophy and Social Sciences)
基金
国家社会科学基金冷门“绝学”和国别史等研究专项“《格萨尔》学术史”(项目编号:19VJX099)。
关键词
口述史诗
天神
山神
佛教
母题
oral epics
sky gods
mountain gods
Buddhism
motif