摘要
中国山水画与中国形上哲学有着密不可分的关系,后者常常被看作是前者的精神源泉和审美理想,此种说法对山水画内在意蕴的认知有失偏颇。作为清初“四僧”之一的画家石涛,其《画语录》以山水画为基础进而提出著名的艺术哲学概念“一画”,这在一定程度上承认山水画的独特之处。挖掘山水画对于显现和通往“一画”的重要性,讨论其如何能够凭借自身特点走向“一画”境界,从中发现中国传统绘画的独有魅力,以期对当下的传统文化发展和树立文化自信有所帮助。
Chinese landscape painting is inextricably linked to Chinese formal philosophy,and the latter is often seen as the spiritual source and aesthetic ideal of the former,which is a biased perception of the inner meaning of landscape painting.As one of the"Four Monks"of the early Qing dynasty,the painter Shitao,whose Hua-Yulu is based on landscape painting and thus puts forward the famous artistic and philosophical concept of"Yi-Hua",acknowledges to some extent the uniqueness of landscape painting.This exhibition explores the importance of landscape painting in revealing and leading to"Yi-Hua",discusses how it can move towards the realm of"Yi-Hua"by virtue of its own characteristics,and discovers the unique charm of traditional Chinese painting,with a view to contributing to the development of traditional culture and building cultural confidence at present.It is hoped that this will contribute to the development of traditional culture and the building of cultural confidence.
作者
史华威
SHI Huawei(School of liberal arts,Minzu University of China,Beijing 100081,China)
出处
《广东农工商职业技术学院学报》
2022年第2期34-38,共5页
Journal of Guangdong Agriculture Industry Business Polytechnic
关键词
《画语录》
山水画
“一画”
Hua-Yulu
Chinese landscape painting
Yi-Hua