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主体还是他者:《隐秘的角落》一种拉康式的解读

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摘要 青年导演辛爽执导的网剧《隐秘的角落》集结着社会人性、家庭、成长、犯罪等主题,不管在剧情还是主题设定上都有着现实主义的映射和反讽之味,从精神分析视角以及符号学视域下尝试新的解答,通过拉康三界论与镜像理论探究其中人物的主体建构历程,以解读其困于想象界中“小他者”到象征界中“大他者”的异化。从想象界的主体挣扎到陷入主体建构的僵局,通过被感知的异化,自我认知到符号秩序的荒谬,最终回归实在界得到解脱,拉康的三界论、镜像思维以及符号能指三个层面在这部网剧中得以呈现。
作者 韩晓曼 郑坚
出处 《东南传播》 2022年第6期103-105,共3页 Southeast Communication
基金 湖南省社科基金项目“5G时代中国特色智能传播理论创新研究”(19YBA133)的阶段性成果。
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  • 5Lacan suggests such recognition when he refers to "the assumption of an alienating identity." From jubilation to alienation,the double movement of the mirror stage inaugurates the doubts about identity that haunt the human being throughout life.
  • 6The ideal ego,a Lacanian term,exerts a conscious pressure towards sublimation and provides the coordinates which enable the subject to take up a sexual position as a man or woman.The ego ideal is the signifier operating as an ideal,an internalized plan of the law,the guide governing the subject's position in the symbolic order,and hence anticipates secondary (Oedipal) identification,or a product of that identification.
  • 7objet petit α (the object of desire),a term translated into English as "object (little) α",but Lacan insisted that it should remain un-translated,thus acquiring,as it were,the status of an algebraic sign.It is always lower case and italicized to show that it denotes the little other,in opposition to capital "A"of the big Other.It is conceived as the object of desire that the subject seeks in the other.This is the imaginary part -object,an element,which is imagined as separable from the rest of the body.
  • 8Jacques Lacan,"The Agency of the Letter in the Unconscious or Reason since Freud,"Ecrits,Tavistock,1977.
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