中式传统吉祥纹样的审美与再设计

Aesthetic and Redesign of Chinese Traditional Auspicious Patterns

随着我国经济结构和文化生态的升级转型,国人对传统的审美眼光面临着新的转变,其主要特征是不再以传统单一的模式为主,而是采用多元化的方式来展开对审美的追求。由于大多数受众并没有过多专业审美训练的经历,其审美眼光呈低水平特点。因此,全面提升人们的审美水平,使其回归审美本体语境,是做好对优质传统文化的探究与重塑的重要途径。持续开展中式传统吉祥纹样的审美发掘与再设计工作,能够有效推动我国传统纹样文化的现代化发展之路。基于此,本文主要从以下几个方面展开深入探究,希望能为当下的审美发展现状提供一些具有参考性的建议。

With the upgrading and transformation of China’s economic structure and cultural ecology, Chinese people are facing new changes in their traditional aesthetic vision. Its main feature is that they no longer focus on the traditional single model, but adopt diversified ways to pursue aesthetics. Because most of the audience have no experience of professional aesthetic training, their aesthetic vision is characterized by low level. Therefore, comprehensively improving people’s aesthetic level and returning it to the context of aesthetic noumenon is an important way to explore and reshape high-quality traditional culture. Continuous aesthetic excavation and redesign of Chinese traditional auspicious patterns can effectively promote the modernization of Chinese traditional pattern culture. Based on this, this paper mainly carries out in-depth exploration from the following aspects, hoping to provide some reference suggestions for the current aesthetic development status.