金以铸骨,漆以饰魂——浅析金属胎漆器的前世今生

Metal to Cast Bones,Lacquer to Decorate Souls——Analysis on the history and present state of metal-made lacquerware

在鼓励学科跨界活动与强调东方文化自信的当代艺术文化环境之下,作为金属工艺与漆工艺的小跨界门类的金属胎漆器正以一种先锋的姿态逐渐重回学界视野并快速发展。本文稿,作者以金属胎漆器作为研究对象,详细阐述金属胎漆器制作有别于金属器物和漆器的髹涂与烘干工艺技术,通过探讨其历史发展脉络及其在中日韩三国的发展现状,进而深入探析金属胎漆器发展所面临的困境,并为其未来发展的诸多可能性提供建议与理论参考。

the contemporary art and cultural environment which encourages cross-disciplinary activities and emphasizes the confidence of oriental culture has made metal-made lacquerware, a small interdisciplinary category between metal crafts and lacquer crafts, is gradually back to the academic with a pioneering attitude and developing at a high speed. Taking metal-made lacquerware as the research object, the author elaborates on the painting and drying technology of metal-made lacquerware which is different from metalware and lacquerware. According to the discussion of the historical development of metal-made lacquerware and its current development situation in China, Japan and South Korea, the article then further analyzes the difficulties that metal-made lacquerware faces in its development, and provides suggestions and theoretical references for its various possibilities in the future development.