张萱仕女画服饰绘画语言探讨

Discussion on the Painting Language of Zhang Xuan's Costume Painting

唐朝的国力强盛,经济文化繁荣,稳定的社会背景为仕女画留下了浓墨重彩的一笔提供了一个安稳环境。仕女画即以宫廷贵族女人为题材的人物画,在唐代发展到鼎盛时期,是唐代重要绘画题材,无论是数量还是质量都达到了前所未有的高度。唐朝时期的绘画语言在服饰中能得到很好的体现,通过仕女服饰语言体现当时“以胖为美”的审美情趣和雍容华贵的穿戴,仕女画的主要领军人物有张萱、周昉,在他们的带领下,绘画技法达到了前无古人的高度。通过文献研究法和图像分析法,对张萱仕女画中的服饰绘画语言进行深入探讨。以张萱的《捣练图》《虢国夫人游春图》为例,从服饰面料肌理、服饰设色、服饰装饰元素方面具体分析唐朝仕女画通过服饰来体现人物的美感,以及唐朝绘画语言对后世人物画的影响与传承。

The national strength of the Tang Dynasty was strong and its economy and culture was prosperous.The stable social background left a strong impression on the painting of ladies and provided a stable environment.Ladies painting is the figure painting with the palace noble women as the theme,it reached its heyday in the Tang Dynasty,it is also an important painting theme in the Tang Dynasty,both in quantity and quality it has reached an unprecedented height.Through literature research and image analysis,this paper makes an in-depth discussion on the costume painting language in Zhang Xuan's paintings of ladies.Take Zhang Xuan's"Court Ladies Preparing Newly Woven Silk","Lady guoguo"as an example.It analyzes the beauty of tang dynasty lady paintings from the aspects of fabric texture,color of dress design and elements of dress decoration.And the influence and inheritance of tang Dynasty painting language on later figure painting.