摘要
陶瓷花鸟装饰作为陶瓷装饰中的重要类型,承载了国画、自然美学、绘画等多重表现形式。中国花鸟画作为传统艺术中的主要类别无论是对陶瓷花鸟装饰的表现手法上还是艺术美学思维体系的建构上都起到了指明灯的重要用途。本文试从陶瓷花鸟装饰的工艺技法、形式转变、思想体系等诸多因素的综合分析,对照中国花鸟画的特征品质展开比较分析,试图发掘两者本质内涵的关联因素,并以艺术创作中的感悟看陶瓷花鸟装饰的创新之路。
As an important type of ceramic decoration,Ceramic flower-and-bird decoration bears multiple forms of expression such as traditional Chinese painting,Natural Aesthetics and painting.Chinese flower-and-bird painting,as the main category of traditional art,has played an important role in the expression of ceramic flower-and-bird decoration and the construction of the thinking system of art aesthetics.Based on the comprehensive analysis of many factors such as craft technique,form change and ideological system of the ceramic flower-and-bird decoration,this paper compares and analyzes the characteristics and qualities of the Chinese flower-and-bird painting,trying to find out the correlation factors of the two essential connotations,and in the artistic creation the sentiment looks at/finds the ceramics flower-bird decoration innovation road.
作者
吴宏
Wu Hong(Jiangxi fine arts publishing house,Nanchang,330000)
出处
《陶瓷研究》
2022年第3期142-144,共3页
Ceramic Studies
关键词
陶瓷花鸟装饰
中国花鸟画
比较性
Ceramic flower-and-bird decoration
Chinese flower-and-bird painting
Comparative