摘要
近年来,沉浸式交互艺术展览成了一种新的文化消费热点。在艺术创作中融入交互设计,不仅能驱动创作内容及形式的变革,还催生了新的艺术接受方式,提高了人在艺术作品中的主体地位。然而,目前学者多集中研究媒介和技术对交互设计的影响,从观者接受角度的理论支撑则较少。基于此,本文将接受美学中的期待视野、召唤结构以及审美经验的概念引入交互影像设计,以拓展交互内涵,形成观众“从凝视到参与”的接受路径,阐明受众在设计中的重要价值,从而为交互影像设计的未来研究与探索提供参考。
In recent years,immersive interactive art exhibitions have become a new cultural consumption hotspot.Incorporating interactive design into artistic creation can not only drive the change of creative content and form,but also create a new way of accepting art and improve the dominant position of human beings in art works.However,the present researches mostly focus on the influence of media and technology on interaction design,and there is less theoretical support from the perspective of audience reception.Based on this,this paper introduces the expectation view,calling structure and aesthetic experience in reception aesthetics into interactive image design to expand the interactive connotation,forming the audiences'reception path from"looking to participating",which emphases the audiences'importance in design.The research aims to provide certain reference for future study and exploration of interactive image design.
出处
《包装与设计》
2022年第4期124-125,共2页
Package & Design
关键词
交互设计
交互影像
接受美学
交互审美
interaction design
interactive image
reception aesthetics
interactive aesthetics