新主流电影音乐的美学范式与共情传播

中国电影音乐经过百年发展历程,在声乐与器乐创作上日益达成辅助电影艺术完美呈现的目的与使命。伴随我国新主流电影的不断发展,主题内容与视听语言都发生了与时俱进的变革,电影音乐也承担起更艰巨的艺术责任,建立起符合电影艺术与电影市场发展需求的音乐创作规律,形成服务于新主流电影的音乐美学范式。新主流电影音乐规律与范式不仅能够更好地服务于电影市场,而且能够加强受众与影片之间的共情共鸣。基于中国传统文化情感建立的电影音乐生态是共情传播的有效基础,对新主流电影音乐的时空传播亦产生积极意义。

After a hundred years of development, Chinese film music has increasingly achieved the goal and mission of assisting the perfect presentation of film art in the creation of vocal music and instrumental music. With the continuous development of the new mainstream films in China, the theme content and audio-visual language are changing with The Times, and the film music also undertakes more difficult artistic responsibilities, establishing the law of music creation in line with the development needs of the film art and the film market, and forming the musical aesthetic paradigm serving the new mainstream films. The new mainstream film music law and paradigm can not only better serve the film market, but also strengthen the empathy between the audience and the film.The ecology of film music based on the emotion of Chinese traditional culture is an effective basis of empathy communication and has positive significance for the spatio-temporal communication of new mainstream film music.