陀思妥耶夫斯基的虚构和非虚构写作

Dostoevsky’s Fiction and Nonfiction

陀思妥耶夫斯基的写作由虚构和非虚构两大板块构成,这两大板块在他的创作中各占半壁江山。陀思妥耶夫斯基的虚构和非虚构写作均服务于同一目的,即阐释作家的俄罗斯理念。陀思妥耶夫斯基同时进行虚构和非虚构写作,既受当时俄国社会和文化语境的左右,也是他独特的叙事策略之结果。陀思妥耶夫斯基晚年的几个短篇小说,显示出他在虚构和非虚构之间腾挪转移的独特的小说叙事手法。同时关注陀思妥耶夫斯基的虚构和非虚构写作,能使我们更全面、更完整地认识和理解陀思妥耶夫斯基这位思想家作家及其多元创作。

Dostoevsky’s writing consists of two sections,fiction and nonfiction,each accounting for half of his creation.Both his fiction and nonfiction serve the same purpose of interpreting his Russian Idea.Dostoevsky’s simultaneous fiction and nonfiction writing was influenced by Russian social and cultural context at the time in general,and resulted from his unique narrative strategy in particular.Several of Dostoevsky’s late short stories show his unique narrative technique of shifting between fiction and nonfiction.By focusing on both Dostoevsky’s fiction and nonfiction,we can more fully understand Dostoevsky as a writer-thinker and his diversified creative style.