摘要
钢琴是浪漫主义末期流传至中国的西洋乐器,在中国的发展较晚,这也导致中国钢琴音乐作品无论是从规模还是数量上都略逊色于西方作品。通过我国多位钢琴作曲家的不断努力,钢琴的演奏已与中国风格进行了良好融合,完美实现了钢琴音乐作品的创作目标。针对此种背景,主要对中国风格钢琴曲演奏的审美方式进行深入解剖与分析,期望更多的人们可以通过中国钢琴曲了解我国民族特色。
Piano is an American musical instrument that spread to China at the end of the Romantic period. It developed later in China, which will also cause Chinese piano music to be slightly inferior to Western works in size and quantity. Through the continuous efforts of many piano composers in China, the performance of piano instruments has been well integrated with the Chinese style, perfectly realising the goal of creating piano music works.In view of this background, this article mainly conducts an in-depth anatomy and analysis of the aesthetic style of Chinese-style piano music performance, hoping that more people can understand China’s national characteristics through Chinese piano music.
作者
王晓丹
WANG Xiao-dan(School of Music Education,Shenyang Conservatory of Music,Shenyang110003,China)
出处
《沈阳工程学院学报(社会科学版)》
2022年第3期82-85,共4页
Journal of Shenyang Institute of Engineering:Social Science
关键词
中国风格
钢琴曲演奏
审美方式
Chinese style
piano performance
aesthetic style