古田织部侘寂美学在当代茶室空间的设计研究

Research on the design of Gutian weavywabi-sabi aesthetics in contemporary teahouse space

从日本茶道宗师古田织部的侘寂美学入手,分析了其产生的始基性地位以及自身侘寂美学的独特审美内涵。以其茶室“燕庵茶室”为例,通过对窗户和土壁两个基本空间构件进行分析,探究古田织部侘寂美学在燕庵茶室空间中的运用表达。并对现代茶室的形与神两方面继承古田织部侘寂美学进行例证说明,更深一步的论证古田织部的茶室对当代茶室设计产生的影响。通过对古田织部的茶室进行深入剖析,可以得出在茶室设计中,将前者侘寂美学与古田织部的美学思想相互融合,是茶室不断创新的关键所在。这种革新体现在空间布局形式改变、色彩、材料以及陈设的简化,同时唤起了其他艺术形式精神的根本性展示。

In this paper,from the Japanese tea ceremony master thou farmland wabi-sabi aesthetics of weaving,analyses the generation of basic status and its own unique aesthetic connotation of wabi-sabi aesthetics.In the teahouse“YanAn teahouse”,for example,through the window and wall are two basic spatial component analysis,to explore thou farmland wabi-sabi weaving aesthetics in YanAn teahouse space use of expression.And the modern teahouse form two aspects of inheritance with god thou farmland wabi-sabi weaving aesthetics for example shows that the further demonstration of the teahouse thou farmland weaving on the impact of contemporary teahouse design.By thou farmland researches in the teahouse,weaving can draw in the tea house design,the former wabi-sabi aesthetics and aesthetic thoughts of thou farmland weaving mutual fusion,is the key to teahouse constant innovation.This innovation reflected in changes in spatial layout form,color,material,and display of simplified,at the same time aroused the fundamental spirit of other art forms.