新世纪中国电影改编中的古典风探究

Research on the Classical Style of Chinese Films Adaptation in the New Century

新世纪中国电影改编掀起了着浓郁的古典风,通过对封建王朝语境下的英雄形象进行艺术赋魅,不断构形宫廷秘史和武侠江湖的审美世界。这种指向古代传统文化时空的影像再叙述隐含着还原、反思、消费历史的多元话语诉求,美轮美奂的影像奇观在放大原著文字叙述的想象世界的同时,也容易消解文学描绘关于历史的庞杂书写和深度反思,并且在大众文化的催生下,消费历史的倾向更易于旁逸斜出,挤压着还原和反思历史的艺术脉动。改编电影的古典风需要充分借鉴其文学原作的思想艺术表达优势,加强影像包装与内在情韵的结合,通过再叙事搭建既通向历史又观照现实的时空舞台,促进古装题材影片的改编再生产。

Chinese films adaptation in the new century has set off a strong classical style,through the artistic enchantment of the heroic image in the context of the feudal Dynasty,constantly shaping the aesthetic world of the palace secret history and chivalry in the world of the martial arts.This kind of image re-narration pointing to the time and space of ancient traditional culture implies the multi-discourse appeal of restoring,reflecting and consuming history.While enlarging the imaginary world of the original text narration,the beautiful image spectacle is also easy to dispel the complex writing and deep reflection of the literary description of history,and under the birth of popular culture,the tendency of consuming history is easier to escape.It squeezes the artistic pulse of restoring and reflecting on history.The classical style of adapted films needs to fully draw lessons from the ideological and artistic expression advantages of the original literary works,strengthen the combination of image packaging and internal charm,build a space-time stage leading to both history and reality through re-narration,and promote the adaptation and reproduction of ancient costume films.