共谋的颠倒--考辩柄谷行人的“日本文学”与沟口雄三的“中国思想”

Ancollusive reversal--Research on Karatani Kojin's“Japanese literature”and Mizoguchi Yuzo's“Chinese thought”

日本文学批评家柄谷行人以借助西方后现代思想进行文学批评与理论实践而著称,思想史家沟口雄三闻名于中国明清思想史研究界,由于他将“中国”作为方法而在我国学界声誉鹊起。柄谷与沟口都是极具批判精神的学者,他们拥有强烈的社会现实关切,并深谙历史乃复数之物,因为浸染在现代思想关注“语言”的大环境里,他们的写作实践均试图突破“文史哲”各自为战的局面。1980年,柄谷与沟口同时出版了各自的代表著作《现代日本文学的起源》与《中国前近代思想的屈折与展开》,此一极为巧合的现象为我们理解曾经日本知识分子在权力规训与个体抗争的张力之下,如何回应“漫长战后”提供了与当下萎缩之态可资比较的视角,它同时揭示了20世纪西方思想在日本的投射与在亚洲地域的实践。

The Japanese literary critic Karatani Kojin is famous for his literary criticism and theoretical practice with thehelp of Western postmodern thought,while the intellectual historian Mizoguchi Yuzo,who enjoys high prestigein Chinese academic circles as he often uses “China” as a method, is well-known for his research on theintellectual history of the Ming and Qing Dynasties in China.Both Karatani and Mizoguchi are very criticalscholars and have strong concerns about social reality.They understand that history is a plural thing.As they aredeeply immersed in the environment where modern thought is concerned with “language”,their writing prac-tices try to break through the situation where “literature,history and philosophy” are studied in isolation.In1980,Karatani and Mizoguchi respectively published their representative worksThe Origin of Modern Japanese Literature and The Inflection and Development of Pre-modern Chinese Thought.This extremely coincidental phe-nomenon enables us to understand the role of Japanese intellectuals in the discipline of power.Under the ten-sion of fighting against the individual,the phenomenon also provides a comparable perspective between the“long postwar” and the current state of atrophy,although it also reveals the projection of 20th century Westernthought in the Japanese archipelago and its practice in the Asian region.