摘要
Dramatic literature mainly unfolds the story through the dialogue between the characters, so the use of dramatic language plays a vital role in the creation of the whole drama. The reason why Ts. Oidov succeededin creating three classic female subject dramas, Tsolmon, Tuyaa and Solongo, is closely related to his exquisite strokes and distinctive dramatic language. This paper discusses from three aspects such as dramatic language, personalized language and nationalized language, so as to summarize the dramatic language characteristics of Ts. Oidov female theme dramas.
Dramatic literature mainly unfolds the story through the dialogue between the characters, so the use of dramatic language plays a vital role in the creation of the whole drama. The reason why Ts. Oidov succeededin creating three classic female subject dramas, Tsolmon, Tuyaa and Solongo, is closely related to his exquisite strokes and distinctive dramatic language. This paper discusses from three aspects such as dramatic language, personalized language and nationalized language, so as to summarize the dramatic language characteristics of Ts. Oidov female theme dramas.
出处
《西部蒙古论坛》
2022年第2期83-88,M0005,共7页
Journal of the Western Mongolian Studies
