摘要
服装设计不但是满足情感需求的寄托与文化内涵的体现,也是未来设计方向的大势所趋。中国古诗词取中国传统美学意境理论之精华,其意境是艺术创作的理论依据和审美观念。目前关于服装设计中对中国古诗词意境的研究和应用实践并不多见。基于中国传统美学理论中大量对意境的阐述,提取出中国古诗词中服饰美学元素,说明服装设计中意境的营造手法核心在于形神统一,道法自然,虚实相生。服装设计中意境不仅是指外在物象的逼真,还在于精神的想象与建构。运用设计语言将中国古诗词的意境理念再创造,呈现服装独特的文化意境与灵魂。
Fashion design is not only the sustenance to meet emotional needs and the embodiment of cultural connotation,but also the general trend of future design direction.Ancient poetry takes the essence of Chinese traditional aesthetic artistic conception theory,and its artistic conception is the theoretical basis and aesthetic concept of artistic creation.At present,the research and application of artistic conception of ancient poetry in fashion design are rare.Based on a large number of expositions on artistic conception in Chinese traditional aesthetic theory,this paper extracts the aesthetic elements of clothing in ancient poetry,and explains that the core of the construction technique of artistic conception in clothing design lies in the unity of form and spirit,the natural way of Tao and the combination of virtual and real.In fashion design,artistic conception not only refers to the fidelity of external images,but also lies in the imagination and construction of spirit.Using design language to recreate the artistic conception concept of ancient poetry,showing the unique cultural artistic conception and soul of clothing.
作者
袁大鹏
吴瑞婧
冯玲玲
Yuan Dapeng;Wu Ruijing;Feng Lingling
出处
《服装设计师》
2022年第9期139-146,共8页
Fashion China
基金
中国纺织工业联合会高等教育教学改革项目。
关键词
中国古诗词
意境
服装设计
Ancient poetry
Artistic conception
Fashion design