论朱英诞的无题观及其书写

Zhu Yingdan s opinion of titleless poetry and his creation

20世纪30年代现代诗人对晚唐诗风的亲近,使无题诗这种诗歌形式也发出了现代回响。与同代诗人相比,朱英诞的无题诗具有极高的诗歌史意义,诗人朱英诞不仅构筑了一个以无题为核心的诗歌理想,在无题诗的书写上也呈现出了独特的思想艺术价值。本文首先阐述朱英诞“真诗无题”的诗歌观念及其内蕴,继而说明朱英诞的无题诗以其命名与本质的双重无题性区别于有题之诗。因此,朱英诞的无题诗以思想内蕴上的无限与艺术形式上的自由超越了古典无题诗与现代无题诗书写的晦涩。

In the 1930s,a modern echo of the titleless poetry was resulted from the poets love on the late tang dynasty style.Compared with other poets at the same generation,Zhu ynigdan s titleless poetry shows a great significance in the history of poetry.He not only constructed a theory with titleless as the core,but presented a unique value of ideology and art in his creation of titleless poems also.In this paper,Zhu s poetic concept and the connotation of"true poems are titleless"are expounded.Then,the differences of Zhu s titleless poems from his titled poems are demonstrated based on the double titleless nature of naming and essence of the former.Therefore,zhu s titleless poems transcend the obscurity of both classical and modern titleless poems with the infinity in ideological connotation and the freedom of artistic form.