从两极互动结构到单子——洛特曼文化符号学视角观察

From Bipolar Structure to Monad——From the Perspective of Lotman’s Cultural Semiotics

本文考察了洛特曼提出的术语——单子,单子即两极互动的最小结构,离散型和浑成型这两大类文化符号构成各种层面的单子,形成同拓扑的关系,相互交织,生成文本的意义,同时也构成人类思维模式的特点。单子是洛特曼文化符号学的立足点,通过对单子的溯源,分析其智能性,探索其功能,进而对贯穿洛特曼文化符号学的基本思想获得更加深入的理解。

This paper investigates the term of Yuri Lotman’s cultural semiotics–monad.Monad is the smallest bipolar structure,which is the foothold of Lotman’s cultural semiotics.The two categories of cultural symbols,discrete and muddled,form monads at various levels,form a topological relationship,interweave with each other,form the meaning of the text,and at the same time constitute the characteristics of human thinking patterns.By tracing the origin of the monads,analyzing their intelligence,and exploring their functions,we can gain a deeper understanding of the basic ideas that run through Yuri Lotman’s cultural semiotics.