菩萨璎珞工艺考——以山西繁峙公主寺壁画中的菩萨璎珞为例

Research on theTechnology of Bodhisattva'sYingluo:Taking the Mural of PrincessTemple in Fanshi,Shanxi Province as an Example

以山西繁峙县公主寺东、南、西三墙壁画中菩萨所佩戴的璎珞为研究对象,分析了公主寺壁画中菩萨璎珞的形制、纹样,以短璎珞为主,繁复程度不同。同时,在文化融合进程中,璎珞从菩萨的严身之物逐渐发展为具有象征意味的流行饰品,一定程度上表现了当时的宗教世俗化。

This article takes the Yingluo,a Bodhisattva worn by three Bodhisattvas in the murals of the east wall,the south wall and the west wall of the princess temple in Fanshi County as the research object,and makes a textual research on the Bodhisattva′s Yingluo.Through classification,comparison and other research methods,the shape and pattern of the Bodhisattva Yingluo in the murals of Princess temple are classified and analyzed.It is found that the Bodhisattva Yingluo in the murals of Princess temple can be divided into three types:short,medium and long.The middle Yingluo and the long Yingluo are constructed on the basis of the short Yingluo.The patterns of Yingluo include Ruyi pattern,lock pattern,lotus pattern,etc.