摘要
20世纪初,中国社会发生了巨大变革,旧习俗被打破,新观念逐步形成。书籍装帧开始摆脱以往的制式,不仅形式上呈现新的范式,且观念上也以西式书籍范式为现代化标准。从整体层面看,在晚清西式教育、早期设计师出现、近代图案学发展、先进印刷技术引入等诸多因素推动下,国人逐渐形成新的书籍装帧范式观念,它标志着中国书籍装帧在这个时期完成了由传统向现代转向的范式变革。
At the beginning of the 20th century, great changes took place in Chinese society,when old customs were broken and new ideas were gradually formed. Book binding began to break away from the previous system. It not only presented a new paradigm in form, but also took the western book paradigm as the modern standard in concept. On the whole, driven by many factors such as Western-style education in the late Qing Dynasty, the emergence of early designers, the development of modern graphics, the introduction of advanced printing technology, Chinese people gradually formed a new paradigm concept of book binding, which marked that Chinese book binding completed the paradigm revolution from tradition to modern in this period.
作者
牟健
Mou Jian(School of arts and design,Taizhou University,Taizhou 318000,China)
出处
《台州学院学报》
2022年第4期85-89,共5页
Journal of Taizhou University
基金
2021年度台州市哲学社会科学规划课题“清末民初艺术教育期刊装帧设计民族性认知与呈现的历史变迁研究”(21GHY03)
2022年度浙江省社科联研究课题“中国书籍设计学术谱系研究(1992—2021)”(2022N68)。
关键词
书籍装帧
范式
西方制式
演进
book binding
paradigm
western style
evolution