三位“南木特”藏戏传承人口述访谈录

Study on the Tibetan Opera with Three Oral Interview of Namtar’s Inheritors

“南木特”藏戏主要流行于青海、甘肃、四川三省的藏语安多方言区,是具有鲜明地方特色的独立藏戏剧种。多维传承载体及各具特色的传习方式有益于“南木特”藏戏实现多层面的存续,本文以“南木特”藏戏多维传承载体中代表性传承人口述实录为主,以期从多维视角呈现“南木特”藏戏在不同自然地理空间和区域文化空间中的独特叙事,以飨各位学友。

Namtar means Tibetan opera which is mainly popular in the Tibetan Amdo dialect area of Qinghai,Gansu and Sichuan provinces.It is an independent Tibetan opera with distinct local characteristics.According to the multidimensional inheritance carrier and distinctive way of older be beneficial to achieving Namtar or Tibetan opera multifaceted existence,this paper takes Namtar or Tibetan opera multidimensional inheritance carrier representative inheritance of dictation to give priority from a multidimensional perspective rendering Namtar or Tibetan opera in different natural geographical space and the unique narrative of regional cultural space,with those scholars.