期刊文献+

藏族仪式音乐中的献供、美与存在

Listening with the Gods:Offering,Beauty,and Being in Tibetan Ritual Music
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摘要 对于藏族传统宗教仪式中音乐的内在功能及其背后的动因之探讨,是深入揭示音乐在其中所扮演的角色,以及对于仪式中修行实践者所产生的内在意义的理解与感悟是极为必要的。此文,作者以功能性与解释学的理论为指导,结合佛经文献、田野访谈等手段来揭示藏族传统宗教仪式中,音乐的功能及其内在的审美与意义,为此方向的相关研究提供了较为新颖且宽阔的学术视野,值得研读与借鉴。 It is extremely necessary to explore the inner function and motivation of music in Tibetan traditional religious ceremony,so as to reveal the role that music plays in it,and to understand and feel the inner meaning produced by the practitioners in the ceremony.Guided by the theory of function and hermeneutics,the author of this paper reveals the function and intrinsic aesthetic and significance of music in Tibetan traditional religious ceremonies by means of Buddhist scriptures and field interviews,providing a relatively novel and broad academic horizon for related research in this direction,which is worthy of further study and reference.
作者 迈克尔·蒙哈特 扎西东珠(译) Michael Monhart;Zha xi Dong zhu
出处 《西藏艺术研究》 2022年第2期34-39,共6页 Tibetan Art Studies
关键词 藏族仪式音乐 功能 审美 Tibetan ritual music function aesthetic
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