历史确证与文化镜像:中华民族共同体意识下藏族题材电影的叙事嬗变

The Historical Proof and Cultural Reflection:the Narrative Evolution of Films Relating to Zang Ethnic Group Under the Sense of Community for the Chinese Nation

中国藏族题材电影,无论是十七年时期建构国族身份的话语体系,还是新时期言说地缘想象的形塑框架,都成为反映藏族历史文化与地理风貌不可缺少的影像资料;进入新世纪,藏族题材电影又迎来了崭新的创作面貌,建立起基于文化主体性的表征与叙事策略,寻求与全球观众以及国内、国际市场的对话空间,成为习近平新时代我国现代化多民族国家形象与中华民族共同体的新的实证。

No matter it is the discourse system formed for the construction of national identity in seventeenyear or the mould frame describing geographical imagination in new era,films relating to Zang ethnic group all have become indispensable image data reflecting the history,culture and geological sights of Zang ethnic group.Having entered the new era,films about Zang ethnic group have received another upgrade in its style of creation,establishing representation and narrative strategies based on cultural subjectivity.They seek platforms in which they can communicate with the global audience and markets in home and abroad.Moreover,they have become new evidence of the existence of China’s image of modern multi-ethnic country in Xi Jinping New Era and a community for the Chinese nation.