“区域性非遗展览”策展路径探索:以“三山湟水间 花儿与少年——青海西宁非物质文化遗产精品展”为例

Exploration of Museum Curatorial Path for Regional Intangible Cultural Heritage Exhibition:Taking Flowers and Youth in Three Mountains and Rivers:Qinghai Xining Intangible Cultural Heritage Exhibition as an Example

随着非遗保护工作的发展,博物馆作为文化传播教育机构,在非遗的展览展示方面发挥了重要作用。博物馆展览的方式,能够让非遗与观众产生互动,从而达到传播教育的目的。在当今社会环境、接受语境下,应探索一条既契合非遗特性、又具可操作性的策展路径。本文以“三山湟水间花儿与少年——青海西宁非物质文化遗产精品展”为剖析案例,通过“生境—原真—空间叙事—在场视角”结构,解析区域性非遗展的内容与形式,探究其策展路径。

With the development of intangible cultural heritage protection, museums as cultural communication and education institutions play an important role in the exhibition of intangible cultural heritage. The museum exhibition enables the intangible cultural heritage to interact with the audience, thus achieving the purpose of communication and education. In today’s social environment and receptive context, a curatorial path should be explored that is both suitable for the characteristics of intangible cultural heritage and operable. This paper takes Flowers and Youth in Three Mountains and Rivers: Qinghai Xining Intangible Cultural Heritage Exhibition as a case. Through the structure of “habitat-authenticity-spatial narrative ± on-site presence perspective”, the content and form of the regional intangible cultural heritage exhibition are analyzed and its curatorial path is explored.