摘要
越剧剧目《康王告状》改编自“浙东女子尽封王”的传说,在各越剧团的演绎下形成了各有特色的舞台呈现。而宁波小百花越剧团之《明州女子尽封王》修改了部分爱情内容,挖掘出了来源于民间传说融合于家风家训的“施恩不图报”理念和基于现代文化的廉政建设思想,一定程度上突破了“才子佳人戏”的传统模式,体现了“中华优秀传统文化的创造性转化和创新性发展”,但存在逻辑不严谨、戏曲表达不足而导致的“高潮不高”缺陷。
The Yue Opera The Founding Emperor of the Southern Song Dynasty Sues Out is adapted from the lege nd of"All Wome n in Mingzhou Could Be Crowned at the Wedding Cerem ony N,which has formed its own unique stage perform a nee un der the in terpretation of various Yue Opera troupes.The All Women in Mingzhou Could Be Crowned at the Wedding Ceremony by Ningbo Xiaobaihua Yue Opera Troupe modified some parts about love,and developed the concept of"giving kindness without expecting repayment",a concept that is derived from folklores and family traditions and family precepts,a concept which is based on the construction of a clean government in the modern culture.Therefore,this concept breaks through the traditional model of"Operas about Talents and Beauties",and embodies the idea of"creative transformation and innovative development of Chinese excellent traditional culture",but it has the defect of"low climax"caused by lack of strict logic and insuffi-cient expression of opera.
出处
《上海视觉》
2022年第1期11-18,共8页
Shanghai Vision
基金
上海市哲学社会科学基金项目“越剧文款视角的海派文化自信机制研究--上海越剧戏单考(1949年至1966年)”(2019BTQ001)阶段性研究成果。
关键词
《康王告状》
舞台调度
虚实结合
The Founding Emperor of the Southern Song Dynasty Sues Out
stage scheduling
combi nation of the virtual and the real