“凝视”中的自我认同.欲望宣泄和权力运作--对国产电影《嫌疑人X的献身》的镜头分析

Self-identification,Catharsis of Desire and Power Operation of the Gaze:Shot An alysis of the Chin ese Film The Devotion of Suspect X

国产电影《嫌疑人X的献身》由苏有朋导演,改编自日本著名悬疑作家东野圭吾的同名小说。电影主要塑造了三个人物:中学数学教师、杀人嫌犯石泓,石泓的旧友、警方顾问唐川,以及石泓的邻居陈嬪。本文从雅克·拉康的镜像理论出发,结合米歇尔·福柯和劳拉·穆尔维的凝视理论,深入分析《嫌疑人X的献身》镜头下石泓与唐川、石泓与陈嬪之间的凝视关系,挖掘人物凝视关系下的自我认同困境、欲望宣泄与权力运作。唐川是石泓理想化的自我,承载着石泓对完美形象和事业成功的欲望;陈嬪承载着石泓的爱欲和控制欲望。石泓和唐川是凝视的主体,陈嬪则沦为被看的客体。

The Chinese film The Devotion of Suspect X directed by Alec Su was adapted from a novel of the same name written by Higashino Keigo,a most well-known Japanese mystery writer.This film portrayed three main characters:One is SHI Hong,a middle school math teacher and suspected murderer.An other is SHI's old friend TANG Chuan,who is also a consultant for the police.The third is CHEN Jing,SHI's neighbor.In the light of Jacques Lacan's Mirror Image Theory,coupled with Michel Foucault and Laura Mulvey's Gaze Theory,this paper delves into the Gaze relati on ship among SHI,TANG and CHEN,explori ng the self-identification dilemma,catharsis of desire and power operation.TANG is SHN's idealized self,carrying SHI's desire for a perfect image and career success;CHEN carries SHI's desire for loveand control.SHI and Tang are the subjects of gaze,while CHEN is the object being looked at.