俄侨诗歌中“哈尔滨神话”的构建(1920-1950)

“Harbin Myth”in the Poetry of the Far Eastern Emigration(1920s-1950s)

在俄国散居族裔文化背景下,侨民神话中“彼得堡神话”组成了哈尔滨俄侨群体的叙事框架,而“创造与毁灭”、“过去与现在”等二元对立则构成了其内在肌理。而在此基础上形成的“哈尔滨神话”与该城市的空间符号密切相关,被内化为“消失祖国”的哈尔滨本身在俄侨世界图景中具有一种无时间性,这一神话本质上是一种“俄国性”话语的构建和“他者”对立中文化身份认同的彰显。

The emigrant myth is interpreted in the context of the Russian diaspora culture.It can be found that the Harbin myth is closely related to the space semiotics.In its development the Petersburg myth based on the oppositions“creation-destruction”and“past-present”acts as an ontological model that allows structuring the cultural space of Harbin.Harbin,which has been internalized as“lost homeland”,has a kind of timelessness in the world picture of emigrants.In essence,this myth is the construction of discourse“Russianness”and the manifestation of cultural identity in the opposition of“the other”.