“以书入画”及其对中国画发展的贡献——以张僧繇、赵孟頫、吴昌硕为例

“Applying Calligraphy Skills to Painting Creation”and its Contribution to the Development of Chinese Painting:A Case Study of Zhang Sengyao,Zhao Mengfu and Wu Changshuo

张僧繇的“以书入画”突破了中国画线描的规范,创造了书法用笔线条的新形式。赵孟頫的“以书入画”将各种源自书法用笔的节奏和意态在绘画中广泛地运用和表现,把具体的书法用笔上升至抽象的美学意蕴,确立了后世中国画审美方式新的发展路径。吴昌硕以篆籀之法入画,揉和书法与绘画的造型观念和意境情趣,强调书法精神与绘画在意境和理念上的融合,更好地呈现了中国画的内在特点,转换了中国画审美的时代风尚。这三位在中国绘画史上有代表性的湖州画家,通过“以书入画”提升了中国画的品质内涵,为中国画的发展作出了重要的贡献。

In“applying calligraphy skills to painting creation”,Zhang Sengyaobroke through the standard of line drawing in Chinese painting,creating a new form of calligraphic style of drawing.Zhao Mengfu widely used and expressed various rhythms and figures derived from calligraphy in painting,which elevated the specific calligraphy writing method to abstract aesthetic implication,and established a new development of later Chinese painting aesthetics.Wu Changshuo applied the skills of seal script to painting creation,blending the modeling concept and artistic conception of calligraphy and painting,emphasizing the integration of artistic conception and concept of calligraphy spirit and painting,better showing the internal characteristics of Chinese painting and transforming the aesthetic trend of Chinese painting.These three representative Huzhou painters in the history of Chinese painting have improved the quality connotation of Chinese painting through the method of“applying calligraphy skills to painting creation”and made important contributions to the development of Chinese painting.