摘要
姚荷生的《水摆夷风土记》既有忧患意识与批判锋芒,又有追寻精神家园的鲜明乌托邦取向。文本从探险者、发现者、体验者的多重视野出发,对抗战期间的云南边地作了精彩描绘。此书以饱满的创作热情,精彩的艺术表现成为现代云南游记的经典。
Yao Hesheng’s Stories of Dai Minority not only has the sense of hardship and critical edge,but also has the distinct Utopian orientation of pursuing the spiritual home.From the multiple perspectives of explorers,discoverers and experimenters,the text makes a wonderful description of the border areas of Yunnan during the Anti-Japanese war.With full creative enthusiasm and wonderful artistic expression,this book has become a classic of Modern Yunnan travel notes.
作者
石健
SHI Jian(School of Literature,Yuxi Normal University,Yuxi Yunnan 653100,China)
出处
《文山学院学报》
2022年第3期65-71,共7页
Journal of Wenshan University
关键词
《水摆夷风土记》
忧患
批判
乌托邦
多重视野
云南边地
Stories of Dai Minority
suffering
criticism
utopia
multiple vision
yunnan frontier