延安时期马健翎戏剧创作中的乡土情怀

The Vernacular Sentiment in Ma Jianling s Drama Creation during the Yan an Period

马健翎是现当代著名戏剧家,也是运用传统戏剧表现现当代现实生活的秦腔现代戏开先河者。他在延安时期的创作不仅满足革命需要,也注重乡土审美体验,作品往往带有浓郁的西北乡土气息,在有效完成延安时期革命救亡宣传任务的同时,也成为表现延安时期陕甘宁边区生活的一面透镜。从戏剧创作乡土题材的选取,乡土主题的表现,到创作形式上的乡土偏向,戏剧叙事的乡土风格等,处处体现马健翎乡土化的戏剧创作追求,也彰显其戏剧作品成为延安文艺典型形态的深层逻辑。

As a representative playwright of the Yan an Period Drama movement,Ma Jianling s plays were written with a very strong vernacular flavor.Through Ma Jian-ling s theatrical works of the Yan an Period,the vernacular sentiment can be clearly felt in his drama creations.From the selection of vernacular themes in his plays,the expression of vernacular themes,the vernacular preference in the form of creation,the vernacular style of theater narration,etc.,his vernacular pursuit of theater creation is highlighted everywhere.Ma Jianling s vernacular sentiments and distinctive national revolutionary enthusiasm in his theatrical creations mingled together,effectively fulfilling the propaganda task of anti-Japanese national revolutionary salvation during the Yan an Period through the dissemination of vernacular aesthetic expressions of theatrical art,and making his theatrical works a typical form of Yan an literature and art.