近十年中国电影的多元叙事及创作悖论

The Multiple Narrative and Creative Contradictions of Chinese Films in the Past Decade

随着社会的发展,中国电影在与时代共振中迎来了新的面貌,特别是近十年的中国电影,展现出从主旋律电影到新主流电影的叙事转向、现实主义底层叙事及黑色喜剧片中的荒诞叙事突显等特点,体现出创作者与现实社会互动的良性关系。然而,不可否认的是,近十年的电影创作在主流文化与大众文化、IP电影与电影市场、底层个体与泛娱乐社会等方面依然存在创作悖论,只有认清当下中国电影创作中存在的优势与不足,才能进一步探索中国电影发展的新趋势。

With the development of society,Chinese film in theresonance ushered in a new look,especially in the past decade of Chinese film,show from the theme film to the new mainstream film narrative,realism underlying narrative and absurd narrative of black comedy,reflects the creator and the real social interaction of benign relationship.However,it is undeniable that the film creation in mainstream culture and mass culture,IP film and film market,as well as the bottom individual and pan-entertainment society.Only by recognizing the advantages and shortcomings of the current Chinese film creation can we further explore the new trend of the development of Chinese film.