基于“文化自信”的赵树理之文艺大众化实践

Zhao Shuli's Popularization Practice in Literature and Art:Based Cultural Confidence

一部历时不长但波澜壮阔、跌宕起伏的中国现代文学史,乃是一部起于“西化”、终臻“民族化”的艺术演变史。在新文学不断祛魅西方艺术、增强中国元素、实现文艺大众化的艰难征程中,赵树理坚持“文化自信”,推陈出新,实现了对中国传统文学之创造性的继承,创作了一系列思想现代、形式通俗、广为民众喜爱的别样的新文学作品。细察赵树理脍炙人口的大众化小说,其对传统文学的借鉴主要表现在:升华“大团圆”;模拟书场格局;创新“清官断案模式”;妙用“扣子”艺术。

Without a very long duration but still spectacular with its own ups and downs,the history of contemporary Chinese literature is a history of the evolution of Chinese literature and art that arose out of westernization but finally attained nationalization.In the difficult endeavor of the Chinese new literature and art towards continuously disenchanting western literature and art,strengthening Chinese elements,and realizing its own popularization,Zhao Shuli realized the innovative inheritance of traditional Chinese literature by upholding culture confidence,getting rid of the stale and bringing forth the fresh,and created a series of works with modern ideology and in styles popular among the populace.A close look at his works of universal praise discloses he mainly drew on from traditional Chinese literature the 4 peculiar features like the sublimed happy reunions,the simulation of story-telling houses,the plots of upright and honest officials settling lawsuits,and interlocking narrative skills.