摘要
香港(地区)的电影研究历来以影评人群体为主,并长期隐现在中国电影的批评研究中,蕴含着未被充分发掘的多重指向,显现出与内地重学术性、严肃性不同的影迷情怀。爬梳香港(地区)的电影批评流变,发现其文章多集结于《大特写》《电影双周刊》等刊物中,凸显出感性式且不同于内地的书写,以及极具地域特色的空间视野,彰显出对香港电影艺术观念的倡导。可以说,香港(地区)的电影批评群体所建构的电影文化机构及其文化中介作用,为内地电影批评体系提供了一个内省的视角与空间。
Film studies in Hong Kong of China has always been dominated by the group of Hong Kong film critics, and it has long been hidden in the research of Chinese film criticism. It contains multiple directions that have not been fully explored, showing the feelings of fans that are different from those in Chinese mainland, which are academic and serious. He combs the changes of film criticism in Hong Kong of China, and his articles are mostly collected in film publications such as “Close Up Film Review” and “Film Biweekly”, which highlight the perceptual writing and space vision different from that in Chinese mainland, and highlight the advocacy of Hong Kong film art concept. It can be said that the film cultural institution constructed by film criticism in Hong Kong and its role as cultural intermediary provide sufficient space for introspection for the film criticism system in Chinese mainland.
出处
《电影艺术》
CSSCI
北大核心
2022年第4期108-114,共7页
Film Art
