时代书写、女性意识与人情之美——探析黄蜀芹影视创作之路

Reflecting Times,Female Consciousness and Human Kindness:Exploring Huang Shuqin’s Creation of Film and Teleplay

黄蜀芹作为“第四代”女导演的代表人物,在新时期中国影视史上留下了经典之作。在国有大制片厂体制之下,她作为职业导演,执导的电影具有鲜明的时代感,也勇于尝试各种类型;《人·鬼·情》是其作为电影作者艺术探索和女性意识的双重呈现。黄蜀芹的后期创作则显示出影视媒介的互动关系,从精英化走向平民化的家庭伦理剧的创作。她的影视作品和理论文章,体现出一代知识分子的理论素养和文化底蕴,其中一以贯之的是她以平等伦理为核心的人文关怀意识。

Huang Shuqin,as a representative of the fourth generation of female directors,has left the classics in the history of Chinese film and teleplay.Under the state-owned film studio system,her film has a distinct sense of the times as a professional director.As a movie auteur,Woman-DemonHuman reflects her artistic exploration and female consciousness.The later creation shows the interactive relationship between film and television media,from elitist to civilian family ethics drama.Her film-teleplay works and articles reflect the theoretical accomplishment and cultural heritage of intellectuals,one of which consistently is her humanistic care consciousness with equality ethics as the core.